Tamás Ittzés:
Franz Liszt's Influence
On The Ragtime And Swing Era
- historical and musical parallelisms -

1st example (Liszt: 6th Paganini etude) 2nd example (Scott Joplin: The Entertainer, B section) (back to the main text)

3rd example (Liszt: 2nd Hungarian Rhapsody, Friska) (back to the main text)

4th example (Liszt: beginning of the Totentanz – Dance of Death) (back to the main text)

5th example (typical Teddy Wilson-run) (back to the main text)

6th example (Bugle Call Rag, 'Fats' Waller) (back to the main text)

7th example (Zez Confrey: Kitten On the Keys, A section) (back to the main text)

8th example (Liszt: Sonata in B minor, bars 312-323) (back to the main text)

9th example (Liszt: Danse macabre) (back to the main text)

10th example (James P. Johnson: Jingles, B section) (back to the main text)

11th example (Zez Confrey: Kitten On the Keys, trio section) (back to the main text)

12th example (Thomas 'Fats' Waller: Alligator Crawl, end of introduction) (back to the main text)

13th example (E. J. Stark: Billikin Rag, 1913) (back to the main text)

14th example (Beethoven: Sonata in C major op. 2., Rondo) (back to the main text)

15th example (Liszt: 2nd Hungarian Rhapsody, bars 344-349) (back to the main text)

16th example (Chopin: end of F major Ballad) (back to the main text)

17th example (evolution of the dominant-tonic relationship) (back to the main text)

18th example (Verdi: Aida, 2nd act, 'Mercy Choir') (back to the main text)

19th example (Scott Joplin: Bethena – ragtime waltz, 2nd interlude) (back to the main text)

20th example (Scott Joplin: Gladiolus Rag, C section) (back to the main text)

21st example (Chopin: op. 64. no. 1. waltz, bars 46-53) (back to the main text)

22nd example (Aladár Székely: Nervous Rag, end of B section) (back to the main text)

23rd example (Teddy Wilson-run) (back to the main text)

24th example (Beethoven: Sonata in D minor op. 31. no. 2., bars 3-6) 25th example (James Scott: Rag Sentimental, A section) (back to the main text)

Copyright © 2003 Tamás Ittzés.
All rights reserved.